Bernstrand, Thomas

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Bernstrand, Thomas

Bernstrand, Thomas

"Thomas Bernstrand’s objects are not meant to be placed on a pedestal. They are meant to be used. Yet not in the customary manner: not as one usually uses furniture and lamps and flowerpots and coat hangers and notice boards and towel hangers and ladders and everything else he has designed. But more… intensively… You should be able to swing from Thomas’ things. Dance on them. Dismantle them. Cause they can take it. They are made to use. All designers, of course, say they would never design something simply for the sake of design. But Thomas isn’t just talk. When he comes to work in the morning, unlocking the buckled iron door of his white-painted studio – what was once a bakery –and puts his feet up on the window table and looks out at the neighbouring pool hall, tattoo studio and Asia travel agent, his thoughts are not, “What should I design today? Should I design a chair?” But instead, “Should I design something to work in, relax in, bounce in or whatever?” He thinks in terms of verbs, rather than nouns. In actions, rather than typologies.