Wortmann, Constantin

Items 1-15 van 51

Pagina
sort-descending
Lombardo Ago Garden Power 25Âş Wand Tuinverlichting  zwart-1
€ 136,13
Lombardo Ago Garden Power 65Âş Wand Tuinverlichting  zwart-1
€ 136,13
Lombardo Ago Garden Power 40Âş Wand Tuinverlichting  zwart-1
€ 136,13
Lombardo Ago Applique Wand Tuinverlichting  wit-1
€ 162,14
Lombardo Ago Applique U&D Wand Tuinverlichting  zwart-1
€ 202,68
Lombardo Noa 50 Top Plafond Tuinverlichting donkergrijs-1
€ 121,61
Lombardo Pik 80 Grond Opbouw Tuinverlichting zwart-1
€ 200,86
Lombardo Line 330 Grond Opbouw Tuinverlichting zwart-1
€ 232,93
Lombardo Noa 50 Wall  Wand Tuinverlichting  bruin-1
€ 137,34
Lombardo Pik 80 250 Grond Opbouw Tuinverlichting lichtgrijs-1
€ 200,86
Lombardo Pik 80 500 Grond Opbouw Tuinverlichting zwart-1
€ 248,05
Lombardo Pik 160 250 Grond Opbouw Tuinverlichting groen-1
€ 278,91
Lombardo Pik 160 500 Grond Opbouw Tuinverlichting brons-1
€ 326,10
Lombardo Pik 80 Wall Wand Tuinverlichting  lichtgrijs-1
€ 185,74
Lombardo Pik 160 Wall Wand Tuinverlichting  zwart-1
€ 263,18

Items 1-15 van 51

Pagina
sort-descending
Wortmann, Constantin

Wortmann, Constantin

Constantin Wortmann studied industrial design in Hamburg and Munich. In the second year he worked first as an intern then as a freelance designer in the team of lighting maestro Ingo Maurer. In 1998, still being a student he co-founded the design studio BĂĽro fĂĽr Form together with Benjamin Hopf.

In 2000 BĂĽro fĂĽr Form had its debut in Milan on Salone Satellite and started cooperations with habitat and serien. In the coming couple of years Wortmann and Hopf kept on doing prototypes and showing designs in Milan and Cologne. The result were projects for VIBIA, Next, Modoluce and Kundalini. In 2004 BFF started to collaborate with OSRAM, working on future concepts with new lighting technologies (Planon, LED, Oled).

While Benjamin Hopf dropped out of the studio and has been going new ways since 2006, Constantin Wortmann started to work on lighting for crazy brand DARK and is once more toying with the viewing habits of his audience.

"Products need more then perfect function and ergonomics, they need some poetry!"