Wortmann, Constantin

Items 46-60 van 147

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Intra-lighting Gyon Line C/S 5900lm Plafondlamp wit-1
€ 856,74
Intra-lighting Gyon line C/S L 3000 lm Plafondlamp wit-1
€ 555,79
Intra-lighting Gyon line C/S L 3200 lm Plafondlamp wit-1
€ 555,79
Intra-lighting Gyon line custom 3200 lm Plafondlamp wit-1
€ 735,90
Intra-lighting Gyon line custom 3800 lm Montagemateriaal wit-1
€ 783,68
Intra-lighting Gyon line custom C/S 3600 lm Plafondlamp wit-1
€ 783,68
Intra-lighting Gyon Line SDI L2530 mm DALI-DS Plafondlamp zwart-1
€ 1.298,23
Intra-lighting Gyon SDI LDP 3200+1600 lm Plafondlamp zwart-1
€ 853,03
Intra-lighting Gyon SDI LDP 5000+4000 lm  Plafondlamp zwart-1
€ 1.414,71
Intra-lighting Gyon/Wave C/S end cap set Montagemateriaal wit-1
€ 7,54
Intra-lighting Hexagon Mesh S SOP Plafondlamp zwart
€ 5.689,26
Intra-lighting Hunter C Plafondlamp wit-1
€ 418,07
Intra-lighting Hunter RV Plafondlamp wit-1
€ 293,80
Intra-lighting Insider W DPR 2050 lm L1982 mm FO white/white  Wandlamp wit-1
€ 521,06
Intra-lighting Insider W DPR 2850 lm L2542 mm FO white/white  Wandlamp wit-1
€ 618,27

Items 46-60 van 147

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Wortmann, Constantin

Wortmann, Constantin

Constantin Wortmann studied industrial design in Hamburg and Munich. In the second year he worked first as an intern then as a freelance designer in the team of lighting maestro Ingo Maurer. In 1998, still being a student he co-founded the design studio BĂĽro fĂĽr Form together with Benjamin Hopf.

In 2000 BĂĽro fĂĽr Form had its debut in Milan on Salone Satellite and started cooperations with habitat and serien. In the coming couple of years Wortmann and Hopf kept on doing prototypes and showing designs in Milan and Cologne. The result were projects for VIBIA, Next, Modoluce and Kundalini. In 2004 BFF started to collaborate with OSRAM, working on future concepts with new lighting technologies (Planon, LED, Oled).

While Benjamin Hopf dropped out of the studio and has been going new ways since 2006, Constantin Wortmann started to work on lighting for crazy brand DARK and is once more toying with the viewing habits of his audience.

"Products need more then perfect function and ergonomics, they need some poetry!"